Book
Review: THE BOYS IN THE BOAT by Daniel James Brown, Penguin
publ 2013
This
is a true story from the years of the Great Depression—the
1930s—when many honest men and women had to struggle to survive
without a job. At the age of fifteen, Joe Rantz stood in his family's
farmyard near Sequim, Washington, and watched his family drive away,
leaving him behind.
His
father said, while his step-mother waited in the car with her two
small sons, “The thing is, Son, Thula [Joe's step-mom] wants you to
stay here. I would stay with you, but I can't. The little kids are
going to need a father more than you are. You're pretty much all
grown up now anyway. You have to learn to be happy on your own.”
With that, Dad drove the family away. The scene had taken only five
minutes.
As
a child, Joe had moved often, when mechanic's jobs led his father
from mining camp to lumber mill to hard-scrabble farm in western
Washington State. Now, Joe learned to survive for himself. He
continued in high school, learned to poach salmon from the Dungeness
River while evading the game warden, scavenging the forest for
edibles, helping an elderly neighbor. Playing guitar in honky-tonk
bands. Working on a WPA crew laying asphalt on a highway. Operating
a 75-lb pneumatic drill while suspended over a 200-foot cliff at the
Grand Coulee Dam site, because that job paid 75 cents an hour instead
of the standard rate of 50 cents.
Several
other paths converged upon Joe's life: his older brother, a high
school teacher in Seattle, who advised Joe to transfer to a city high
school. The rowing crew coach at the University of Washington who
came recruiting when Joe happened to be working out in the high
school gym. A woodworker who emigrated from Britain to find more
scope for his skills in Seattle, and who fell in love with the
qualities of Washington's red cedar trees. A sixteen-year-old girl in
Sequim who fell in love with her independent, self-confidant
classmate, and followed him to college. A German dictator who decreed
a huge athletic complex to host the 1936 Olympic Games and show the
whole world the absolute superiority of Gemany's Third Reich. And
several dozen young men whose aim was victory in the world's oldest
athletic sport. Rowing a boat.
Racing
in a two-feet-wide, sixty-two-feet-long cedar wood shell as part of a
coordinated team of eight oarsmen and a coxswain is an incredibly
demanding physical and mental task. Not only is there no stopping to
rest during a four-mile race, a rower's mind must focus entirely
inside his boat, paying attention only to the commands of the
coxswain, and never deviating from the in-unison rhythm of the team.
Eight oar blades must immerse to the same depth, at the same instant,
over and over and over. Physical pain, rain, snow or sweltering heat
must be ignored. Only when all nine men are “in swing”---perfect
coordination—is there any hope of winning. That takes long
practice, under the watchful, intelligent eye of an experienced coach
who can detect moods, illness, and other distractions.
After
three years of training under freshman coach Tom Bolles and varsity
coach Al Ulbrickson, Joe Rantz's performance was still spotty. Then
master woodworker George Pocock invited Joe to visit his workshop and
watch him work on the racing boats while they talked. Gradually Joe
began to understand the difference between being totally self-reliant
and being part of a team. The University of Washington's team swept
all three races at the national competition in the summer of 1936,
and moved onward to Adolf Hitler's Germany to represent USA at the
1936 Olympics.
Three
chapters near the end of the book detail the team's experiences in
Germany, with photographs both by American reporters and by Leni
Riefenstahl, whom Hitler had personally commissioned to document the
anticipated victories of the Third Reich. A thousand extra words here
could not do justice to the stresses and emotional high points of Joe
Rantz and his team mates in those weeks in Germany, both on the
Olympic sports field and among the German people.
Brown's
research and story-telling talents paint a vivid account of the
Depression years and build-up to World War Two, through both
anecdotes and photographs. A gripping tale.
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